New Weather

Today I had the opportunity to see the current exhibition at the USF CAM, entitled New Weather and featuring works by Diana Al-Hadid, Iva Gueorguieva, and Robyn O'Neil. I really enjoyed this show, particularly the works by Robyn O'Neil. Her works are predominantly large scale graphite on paper drawings and I was really intrigued by her technique of layering and working such a common medium to achieve such unusual effects. Even her small pieces are visually intriguing and emotionally evocative. There is very delicate line and eraser work involved that must be seen in person to fully appreciate.

Diana Al-Hadid's sculptures took me a little longer to respond to. Her sculpture Edge of Critical Density at first looked to me like it was comprised of the sausage casings my father uses during the holidays (if you're unaware, sausage casings are made from pig intestines). Upon further inspection I began to see other forms take shape until it looked more like a swirling ballgown. I liked it much better after that.

Iva Gueorguieva's huge abstract paintings are quite beautiful. I reacted to them less emotionally than the works by the other artists but I think I spent the most time examinging them. Looking at her pieces brought up a question that I've asked myself numberous times before: when I am seeing an object or idea in an abstract piece, does it say more about my own psychology or the artist's? My instructor, Ms. Baron-Robbins, buffered this with an example from her own experience. In an abstract piece, she used what she perceived as fingers. However, many viewers responded to these figures as phallic symbols, to the point of her frustration. She reassured me, though, that much of what I was seeing in Ms. Gueorguieva's work was actually what was intended.

Project 3

I changed my mind about my final project and I am taking it in a completely different direction. I decided to go with something a little less literal, focusing more on the mood of a song rather than the lyrical content. I chose a song by the artist Helios, the track "Coast Off" but really the whole album Eingya has become a huge part of my process. It's interesting how an album that I've been familiar with for a few years has suddenly become entirely new when approached in different states of mind and situations.



I've also been exploring artists that use soft materials in their works. One I like in particular is E.V. Day. This is her Whitney Biennial piece, entitled Bombshell:

I find the way Ms. Day shreds pieces and reconstructs them as a different form of themselves really fascinating. She's doing a series for the New York Opera House that uses old costumes:


After I had sort of conceived of this idea for my project, I found an abstract landscape painter named Steve Slimm. A few of his paintings use the color palate I was considering exactly:


Just in case you're curious (and you should be!), here's a few more of my favorite tracks from the album Eingya by Helios:

Random Inspiration (Clara Bow)

Pulled out my old costume standby, the 1920's flapper dress. As Tim Gunn would say (WHO IS GOING TO BE SPEAKING AT USF ON THE 4TH, OMG!), "With a dress like this, styling is everything!" So, I looked up some silver screen starlets for makeup tips.

I went with Clara. I just. love. her.

Random Inspiration (Melissa Moss)

While at the Julie West show in Hollywood, FL, I came across a couple prints by Melissa Moss. We were on our way out the door and I didn't get to stop and examine them closely so I wrote her name down to look her up later. I'm so glad I did! Moss is an Asheville, NC based artist who has studied color psychology and utilizes this theory in her awesome work.


too happy
Acrylic on wood


the party's over
Acrylic on wood


ebb
Acrylic and gouache on wood

I ADORE that last one! I want a large print of that and I think it will probably factor heavily into my inspiration for the mural I'm doing on a friend's wall.

1 Song, 3 Pieces

For the 3rd major project, the song I will be using is by my favorite cello-rock band, Rasputina. For the initial song => inspiration part of the project, I decided to use another of their songs to get into the right mindset.



AntiqueHighHeelRedDollShoes is the first and from there I also considered the song Gingerbread Coffin. Both of these songs use imagery relating to dolls. I understand why people often find dolls creepy or unsettling but I think that is what I like about them.

I like the dramatic lighting on this one.

Gift Wrapped Doll #37
James Rosenquist
Oil on canvas
1997

I'm a big fan of buying handmade and I love sites like Etsy and ArtFire. This handmade doll reminds me of drawings of medieval plague doctors which are both frightening and fascinating.

Birdman from woods
Ree Gurova for Lime in Moloko
Polymer clay and fabric
2009

My friend Brigitte is the artist behind a line of custom dolls called Zombuki. I really like her pieces.

Eulalia Dia Zombuki
Brigitte Coovert
2009

Mini Project #2

I was surprised how effectively some of the other students in the class were able to convey the meaning of their chosen pieces/artists. I tried to guess who the artist might be during the performance and I guessed right on Katie's John Cage performance and Lauren's Mark Ryden performance. I was curious to learn more about Taryn's artist, Subodh Gupta, because I thought his kitchenware mushroom cloud sculpture was really fascinating. I was also interested in Caitlin's artist, Robyn O'Neil, and her methods.

As for my own performance, I think it would have gone much better if my glasses hadn't fallen apart because that was just upsetting to me. If I had more time, I would have tried to memorize the part that I read or rehearsed reading it a few more times so get the pacing right. I also think I could have been clearer about the connection between my performance and Suzanne Lacy's work. Overall, I was happy with my performance.

Julie West at Pink Ghost gallery in Hollywood, FL

Road tripped with a good friend over to Hollywood, FL, to meet Julie West at her solo show in Pink Ghost's gallery. She does beautiful work. Her colors are well chosen, her shapes and spaces are gentle while remaining definite. It's impressive that a lot of her work which requires a lot of geometrically correct shapes is hand done in acrylic and then mounted on brocade fabrics. It's really quite impressive. And it's all just so creepy-cute! I picked up some cool swag, a signed "chubby" book by the artist and a cool blind box Dunny so I'm happy. Plus I got to spend a lot of time with my friend Brigitte whom I had not seen in ages and who is now making a living as a working artist which is so inspirational I can't even begin to express. I'll post some of Ms. West's stuff later but for now it is goodnight.

Update!
Here are some of West's paintings:

West signed a postcard of this in my chubby book, under the bats with a text bubble coming from the girl. Awesome!

Want

think-make-think
Clifton Burt

I'm not usually into text art but this one has the right elements. The haiku used, by John Maeda, is inspiring but not cheesy, and the road sign font is engaging without being totally abrasive or illegible, which is usually the case with text art.

In any case, I want a print of this in my face at all times. I think that would be good for me.